Neon Rated

Reference it for

• Full-bleed cinematic hero: edge-to-edge film still as the entire viewport, zero chrome over it except a thin top nav and carousel dots
• One-accent-per-takeover discipline: a single saturated hue (here cyan on a yellow still) does all the accenting, so the film art carries the colour and the system stays neutral
• Titanic display type: condensed sans headline (Flatspot / a compact grotesque) at ~120-160px, tight negative tracking, set as two stacked lines low-left over the image
• Persistent slim nav bar (~56px) with a black wordmark on the accent, plus search / wishlist / account / bag glyphs kept tiny and monospaced-feeling
• Inline 'GET TICKETS' CTA strip: black rounded bar with a stacked-avatar thumbnail on the left and a circular arrow affordance on the right
• Tiny bracketed status kicker ([IN THEATERS]) in the accent hue, set above the giant headline as a release-state tag
• Flat, shadowless component language: cards are raw image frames with 1px silver (#e5e7eb) borders, buttons are 4px-radius rects or 100px pills, depth comes from photography not CSS elevation
• Achromatic base system for the connective UI: paper #ffffff, bone #f3f3f3, ink #000000, silver borders, with crimson #821e1e reserved for brand moments (wordmark bar, date tags)

Do not copy

• The film-specific yellow-and-cyan takeover palette (that is one movie's key art, not a reusable brand palette)
• The NEON wordmark and its black-on-accent lockup
• The exact crimson marquee #821e1e as your accent (it is NEON's brand-significant colour)
• The Flatspot and Girott proprietary typefaces by name
• Actual film titles, poster imagery, and 'GET TICKETS' distributor copy
• The near-monochrome-only restraint if your product needs functional colour states