Gianluca Gradogna

Reference it for

• The white-card-over-dark-world device: a clean content card laid over full-bleed photographic panels, like a print sample placed on a dark desk.
• Grotesque-plus-Times pairing: Neue Montreal for structure and labels, Times as a borrowed-classic display serif for editorial headlines.
• Editorial footnote markers ({ 1* }, { 2* }, "Scroll Down" / "Scroll Up") used as wayfinding and texture.
• Restraint as a signature: one slow in-out-sine colour fade and almost no chrome, letting imagery and type carry the page.

Do not copy

• The portrait and travel photography are the designer's own work; borrow the framing device, not the images.
• The single white card holding the intro is a one-off composition; it works because the surrounding world is dark and quiet, so do not bolt it onto a busy page.
• Times as a display face is a deliberate "default serif" wink from a designer; on a client brand, map it to an intentional display serif instead.