Almacantar 2

The reference for a near-black cinematic property developer, full-bleed aerial photography under a rgb(5,5,5) wash with Albertus serif set at 54px in weight 100, split into a two-word PLACES / PEOPLE title straddling the hero building.

Real Estate flagship

Design tokens

background

surface

text

textMuted

accent

border

display: Johnston
body: Albertus
mono

Do / Don't

Reference it for

Near-black full-bleed hero: rgb(5,5,5) background wash over an aerial dusk photograph, white text sitting straight on the image with no scrim card
Albertus serif as the entire display voice (Albertus, serif at 54px / 60.75px line-height, weight 100) paired with Johnston sans (weight 500) for nav and labels, plus Times for fine print
The two-word split title: one word left, one word right (PLACES ... PEOPLE) with the hero subject rising through the gap between them
Lowercase serif wordmark with a raised asterisk (almacantar*) top-left as the only mark, no logo lockup
Minimal top bar: wordmark left, three-line hamburger right, everything else behind the menu
The calc-driven layout scaffold: --layout-x calc((100vw - 190px)), fluid --gutter and --space-y interpolating 20-35px and 64-190px across the 640-1440 viewport band
Full-viewport 1920px max-width photographic acts stacked one project per screen with a name + person + pull-quote caption
Editorial project index using ALL-CAPS Johnston labels (CENTRE POINT, MARBLE ARCH PLACE) as the navigation spine

Do not copy

The almacantar* wordmark and the raised-asterisk device
The named development projects (Centre Point, Marble Arch Place, Southbank Place, Lyons Place) and their London aerial photography
Real named executives and their quotes (Kathrin Hersel, Mike Hussey, Harry Chichester, Chris Ruffle)
The Albertus + Johnston pairing as a set (Johnston is Transport for London's proprietary face and carries that association)
The exact PLACES / PEOPLE headline split as a copy line
The specific dusk-over-London-skyline photographic treatment as a signature